Your Masterpiece Lives On
Chapter 1 — The Only Thing That Helped
I was twenty-nine years old, and still trying to find my way through the grief of losing my mother.
Grief, I had learned that year, is not a thing you get over.
It is a thing you learn to carry, and in the early months I did not carry it well; it sat on me like a stone, and the ordinary machinery of my life ground slowly to a halt beneath its weight.
Nothing helped.
Not the well-meaning advice, not the sympathy cards, not the passage of time that everyone promised would heal what did not feel healable.
And then, almost by accident, I found the one thing that made the pain feel as though it had some purpose.
I began volunteering at a hospital.
Specifically, I began spending time with the patients who had no one, the ones who were dying, at the ends of their lives, with no family beside them, no visitors, no hand to hold.
For almost a year, I sat with strangers through their final days, and I discovered that in comforting other people’s endings, I found some quiet comfort for my own loss, as though the love I could no longer give my mother could be spent, instead, on these forgotten souls who needed it just as much.
It did not fix my grief.
But it gave it somewhere to go.
I have thought a great deal, since, about that phrase, somewhere to go, because it turned out to be the secret of everything that followed, though I did not understand it at the time.
Grief is love with nowhere to land.
That is what no one tells you when someone you love dies: that the love does not die with them, that it goes on existing, powerful and undiminished, but that the person it was meant for is gone, and so it has nowhere to go, and it turns, dammed up inside you, into pain.
That was what had been happening to me in the months after my mother died.
All the love I had for her, all the care and attention and tenderness, was still there, with no one to receive it, and it had curdled, inside me, into the stone of grief that would not lift.
When I held the hand of a dying man who had no one, I was not being a saint, whatever it might have looked like from outside.
I was giving my stranded love a destination.
I was taking the tenderness that had nowhere to land and letting it land on someone who needed it, and in doing so, I was easing, just slightly, the terrible pressure of love with no object.
It did not bring my mother back.
It did not fix the grief.
But it let the love flow again, out of me and into the world, instead of pooling inside me into pain, and that flowing was, itself, a kind of healing.
I did not know, doing it, that this same principle would govern the rest of the story, that Julian too was a man with love and nowhere to put it, forty-five years of a father’s love for a daughter he could not save, dammed up inside him with no object, and that he would find, in me and in the legacy he left, a place at last for that love to go.
We were, the two of us, more alike than either of us knew when we met: two people carrying love that had nowhere to land, looking, without quite knowing it, for somewhere to spend it.
We found it in each other.
And the finding healed us both.
And it was in that work, in that year of sitting beside the dying, that a frail seventy-two-year-old man named Julian came into my life, and changed it in ways I could not possibly have imagined, in ways I would not fully understand until a lawyer placed a heavy green backpack in my hands and told me that my husband had not been who I thought he was.[]